It’s gorgeous. I love the yellow background, which is quite unusual, and the sepia toning used for the photo of Daire. The way her hair evolves into the flock of ravens is graphically attractive and a great hint at the novel’s content. I’m loving the font, as well.
I liked Daire, even if I have no idea how to pronounce her name. (Then again, this is the same for most of the characters in Fated. What is it about paranormal YA and names I’ve never heard of?) I think that Noël did a good job of giving reason for Daire’s independence and flexibility. Most teenagers would be completely thrown by the revelations that Daire has to quickly take on board, but her background travelling the world means that she is used to change and instability. I also appreciate the fact that Daire is the character whose powers form the focus of Fated. So often with paranormal romance, it’s all about the boy being special, and it’s always nice to have a protagonist who is powerful in her own right.
I get the impression that we’ll be seeing a lot more of Cade in further novels. In Fated, he’s a little two dimensional. We know he’s dangerous, because everyone tells Daire that he is, but we don’t really see much of his power. I did, however, appreciate that there was no hint of a love triangle involving Cade and his twin, Dace – at least from Daire’s point of view.
The Love Interest:
Fated falls into the instalove category of paranormals, unfortunately. Daire and Dace’s attraction is fated before they even meet, and so there is no slow build-up to romance in the novel, or even to friendship. Dace himself is a likeable character, however, and I think he’ll be a big hit with young readers. There’s a slight Jacob Black feel to him, with his Native American heritage and long black hair, which I’m sure will go down well! I appreciate the fact that he’s nothing but kind to Daire and her loved ones – no creepy YA boyfriend syndrome here. In this first novel, his and Daire’s connection is largely physical, which meant that I found it a little wanting in the depth department. I did, however, appreciate the fact that there was no moral judgement attached to Daire’s sexual urges.
The Supporting Cast:
I enjoyed Paloma, but my favourite minor character was definitely Chay. I’d love to see more discussion of their relationship in future novels. Xotichl was likeable, although I don’t understand including a character name that you know people won’t be able to pronounce, and I was intrigued by Lita. I think Jennika, Daire’s mother, would have bothered me more if I didn’t know her backstory and a little about the place she comes from with her decisions, but as it was, I actually thought she was a well-crafted character.
Fated is the first book in a series, which means that there is a lot of setting up to be found in the first couple of hundred pages. I’ve read other reviews from people who haven’t been able to make it past this section of the book to the action, and I can understand why. It felt like there was an awful lot of waiting around before things actually started to happen. That said, Noël has come up with an interesting concept, and it will be interesting to see where she goes with it. By the end of the novel, the reader is still left with a lot of questions about what Daire is and how she will have to use her new-found powers. When it comes to a series, I think it’s generally unfair to judge the first book too harshly for having a slow start, because all of that exposition has to happen somewhere. I did find myself wishing, however, that there had been a little more of a pay off for the long introduction when the meat of the story finally began.
Noël’s writing style was actually the thing I struggled most with while reading Fated. She uses sentence fragments. A lot of fragments. Building on previous sentences. Adding information. Rarely using grammar as it was intended.
See what I did there? Look, I’m a big fan of learning the rules of grammar and then using this knowledge to break the rules here and there in order to add interest to your writing. I think there comes a point, though, where this kind of thing can become distracting and, with Fated, I was constantly pulled out of the story by the lack of proper sentence structure. I enjoy an occasional sentence fragment, and use them for pacing and emphasis myself. When it reaches the point, however, where a half-page paragraph consists of one initial sentence followed solely by fragments, it just doesn’t work for me. Others may well consider it stylistically brilliant.
Fated is sure to find its place in the current YA paranormal market. I think there’s still a large demand for this kind of story and, while there is nothing very new about Fated, it is this that is likely to ensure it becomes a hit with its intended demographic. I personally struggled with Noël’s writing style and a plot that failed to ignite a spark of excitement in me, but I believe that Fated will do well and will amass many fans – not all of whom will be in it solely for Dace!